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funk therapy: Cimafunk takes on America with a new Afro-Cuban groove

“Cimafunk” is the artistic name adopted by Erik Alejandro Rodriguez and a statement of his musical philosophy. “Cima” pays homage to the Cimarrones. “Runaway slaves fled to remote areas of the island in order to form their own free communities with a new culture, neither African nor colonial.” Cimafunk explains. “That Afro-Cuban identity has been essential to my music for a long time.” The name signifies an openness to sounds from all over that tradition, wherever music has the same zest for cultural mixing, joyful survival, and self-determination. From that perspective, American funk is another strand of African diaspora music, one that Cimafunk loves for its power to get people dancing. Cimafunk’s love affair with American sounds started early, when a lone Lionel Richie cassette provided the soundtrack to childhood rides in his uncle’s car. After eating, digesting, and recombining American music ranging from Marvin Gaye to Prince for years, Cimafunk is finally visiti…

Flutin Puts Emerging Artists Where They Need to Be: In Music Fans’ Playlists

App boosts indie musicians via AI-powered playlists and engaging UX

Austin-based Christophe Lavigne had been working on his music for years, leading the rock band Arrows to Fire. Like a lot of indie artists, he’d done all he could, but the results were disheartening. An album’s worth of tracks on Spotify would garner less than 50 listeners.

Lavigne discovered Flutin, an app that tunes into users’ locations and habits, and things shifted. As his songs popped up in hundreds of thousands of users’ custom playlists, he got stream after stream, racking up half a million plays in just 10 days.

“Christophe had spent money on ads and boosts on social media, but was really struggling to find the right channel,” says Flutin CEO Vishu Gupta. “He was dealing with what lots of emerging musicians face in the market without a network. They struggle to find a relevant mass audience and build a financially viable career. On the other side, listeners who would love their music only se…

Cultivating Wild Data: How Entertainment Intelligence Is Bringing Meaningful Analytics to the Streaming-Age Music Business

It’s fun to talk about data, its ubiquity and importance. It’s not so fun to make sense of a billion lines of data from multiple service providers for an entire label roster.
That is unless you’re Greg Delaney, the founder and driving force behind data analytics platform Entertainment Intelligence (Ei). The service has been quietly helping independent labels and distributors work with data like the majors do, analyzing playlist performance, setting meaningful benchmarks, and tracking spikes that pop out of deep catalog. Clients include Domino, Secretly Distribution, Sub Pop, Epitaph, Naxos, Concord Music Group and Zebralution, among others.
“If the indies all get together, you can have the tools that rival, if not surpass, what the majors can do,” Delaney states. “It’s hard for a big company to pivot quickly, but smaller labels can, with our support”
After founding Crowdsurge, a global fan-club ticketing company that worked directly with artists like Paul McCartney and Foo Fighters, Dela…