Skip to main content

HostBaby Teams up with Bandzoogle, for the Perfect Indie Artist Web Hosting Match

CD Baby’s HostBaby is partnering with leading music-oriented web hosting provider Bandzoogle

It’s a perfect match: Two committed independent music companies, founded and run by musicians, whose mission is to better serve the DIY and self-managed artists in a shifting digital business. Bandzoogle will now host artist sites for HostBaby, as the storied web hosting service winds down. 

“Bandzoogle shares our focus on artists, with tools that help them wherever they are in their career,” explains Tracy Maddux, CEO of AVL/CD Baby. “They have built the best hosting product for indie musicians, and they back it up with amazing customer service. Like us, they keep ahead of a fast-changing business and think hard about what tools will best support artists’ dreams and goals. I can’t think of a better partner in web hosting, and I’m glad we finally get to work more closely together to promote indie music as a whole.”

"Bandzoogle and CD Baby share similar values and goals: our sustained, honest efforts to provide all of the tools DIY artists need online today,” says Stacey Bedford, CEO of Bandzoogle. “We both have longevity in the industry (over 35 years combined!) and we are thrilled to be able to work together to help musicians."

HostBaby users will notice very little change as the partners work closely to migrate the sites slowly and seamlessly. They’ll keep the same domain, inbox, and other assets, as well as all hosting time purchased and all deals with CD Baby. They will also have the same high level of customer service and responsiveness they have grown accustomed to with HostBaby and CD Baby. “We aim to make this move so effortless and easy for users, they barely notice,” notes Kevin Breuner, VP of Marketing at CD Baby. 

In addition, users will discover a wide range of new, exciting tools for promoting their music and engaging their fans. These include highly customizable mobile-friendly templates, direct-to-fan eCommerce to sell music, merch, and tickets, as well as run crowdfunding and fan subscriptions, and integrations with popular platforms like Bandsintown and YouTube. As the transition occurs, HostBaby will not accept new sign ups.

“Our goal is to create or provide the strongest, most effective tools for artists to make the most of their creative lives and music careers,” Breuner states. “This partnership will allow us to move forward in a focused way, putting energy into new offerings while keeping our high standards of support and service.”

About CD Baby
CD Baby is one of the largest distributors of independent music on the planet, home to 650,000 artists and more than 9 million tracks that are made available to 100+ digital services and platforms around the globe. Artists on the platform are empowered to monetize their rights while maintaining control of their own careers, and have collectively earned over $600 million since the company’s founding. CD Baby’s Publishing Administration service allows over 160,000 songwriters to collect all of their publishing royalties and currently administers over 1 million songs, and its sync service has garnered artists placements in series like Stranger Things. CD Baby is a division of AVL Digital Group.

About Bandzoogle
Bandzoogle started with a single website built by Bandzoogle founder Chris Vinson for his alt-rock band, Rubberman. Now celebrating their 15th anniversary, Bandzoogle has grown to a team that is 80% musicians, and has powered websites for over 100,000 artists in 213 countries and territories. Along the way, Bandzoogle members have sold over $36 million in music, merch, and tickets directly to their fans, commission-free.

Comments

Popular posts from this blog

funk therapy: Cimafunk takes on America with a new Afro-Cuban groove

“Cimafunk” is the artistic name adopted by Erik Alejandro Rodriguez and a statement of his musical philosophy. “Cima” pays homage to the Cimarrones. “Runaway slaves fled to remote areas of the island in order to form their own free communities with a new culture, neither African nor colonial.” Cimafunk explains. “That Afro-Cuban identity has been essential to my music for a long time.” The name signifies an openness to sounds from all over that tradition, wherever music has the same zest for cultural mixing, joyful survival, and self-determination. From that perspective, American funk is another strand of African diaspora music, one that Cimafunk loves for its power to get people dancing. Cimafunk’s love affair with American sounds started early, when a lone Lionel Richie cassette provided the soundtrack to childhood rides in his uncle’s car. After eating, digesting, and recombining American music ranging from Marvin Gaye to Prince for years, Cimafunk is finally visiti…

Cultivating Wild Data: How Entertainment Intelligence Is Bringing Meaningful Analytics to the Streaming-Age Music Business

It’s fun to talk about data, its ubiquity and importance. It’s not so fun to make sense of a billion lines of data from multiple service providers for an entire label roster.
That is unless you’re Greg Delaney, the founder and driving force behind data analytics platform Entertainment Intelligence (Ei). The service has been quietly helping independent labels and distributors work with data like the majors do, analyzing playlist performance, setting meaningful benchmarks, and tracking spikes that pop out of deep catalog. Clients include Domino, Secretly Distribution, Sub Pop, Epitaph, Naxos, Concord Music Group and Zebralution, among others.
“If the indies all get together, you can have the tools that rival, if not surpass, what the majors can do,” Delaney states. “It’s hard for a big company to pivot quickly, but smaller labels can, with our support”
After founding Crowdsurge, a global fan-club ticketing company that worked directly with artists like Paul McCartney and Foo Fighters, Dela…

Eventric’s Master Tour Makes Touring Logistics and Revenue Management Even Easier with v3.0, Currently in Beta Testing

Live events and touring are a key source of revenue for artists, performers, athletes, personalities, and groups of all kinds. Yet the margins on tours are thin and the logistics wickedly complex. Technology and devices like smartphones have seeped into the business, but mass-market software products often don’t serve busy tour teams well.

SaaS company Eventric, the masterminds behind Master Tour, is a crew of former (and sometimes current) road warriors, seasoned tour managers and live event pros who know what touring demands. For over 15+ years, their products have supported the work of more than 125,000 live-event professionals, sweeping away a tangle of spreadsheets, group texts, and other unwieldy and fragmented tracking and messaging systems.

Based on multiple years of feedback from users, the latest version of Master Tour, MT3.0, is more streamlined and powerful in just the right areas. “We’ve worked really hard to pare down the number of clicks or taps needed to ge…