Tuesday, April 14, 2020

New Social Music Platform Breaks And Connects New Artists During Covid-19 Isolation

In a time of social distancing, musicians are forced to find creative solutions to engage with fans, collaborate with other artists, and get their music heard. As a result, many musicians are learning that when fans are a part of their creative process, it brings them even closer. Globally, fans are raving about hearing un-produced, fresh musical ideas in real time from artists through live streams. Engagement between the fans and artists has never been better as they share raw content through these social media platforms.

Musicians and listeners are looking for places where they can connect, engage, and experience the creative process as it happens. That’s why Boon, a rising Nashville songwriter & producer, turned to the new social music collaboration app SoundStorming. The 16-year-old artist was in search of musical collaborations, but even in Music City USA he had a hard time making connections. “Before, I would use Instagram hashtags to find people,” Boon recalls. “I would direct message them and just hope they would get back to me. It could be like pulling teeth to get them to a studio for a co-writing session.” When Boon started using SoundStorming, he found himself in a network of artists all focused on collaboration and connection. 

So Boon turned to SoundStorming to find something fresh for his new track. “It’s not about genre- I was looking for a vocalist who also had great songwriting skills,” Boon explains. He came across an artist who had uploaded just 16 bars of flow with the cool factor Boon wanted. He was able to message Freeco, the Atlanta rapper behind that track. As they collaborated back and forth on SoundStorming, Boon liked the ease and randomness of trading recordings and evolving their musical ideas. Their SoundStorming collaboration blossomed into “Feelings on the Floor,” a genre-crossing banger on Boon’s just released EP 16.

When SoundStorming founders Arnau Bosch and Alicia Rius heard Boon and Freeco’s collaboration in the platform, it was validation of their vision. “We launched SoundStorming because we knew there was a need for a social platform where artists could share their unedited, unfinished ideas, to connect and collaborate openly,” Co-founder Arnau says. Alicia continues, "Artist discovery is one of the biggest challenges in the music industry. By bringing audiences to the beginning of the creative process, we are allowing artists to create a more intimate relationship with their fans, and also use these musical moments as demos or soundbites to promote their talent and be discovered.”

You could say that SoundStorming works like TikTok for original musical ideas. Instead of influencers spreading viral dances and copycat lipsynchs, SoundStorming artists share their music as they create it. The platform allows artists to capture their musical ideas on their smartphones, just as they do now, and share them with other artists and listeners immediately. Other users can record their own responses and riffs, taking the ideas in new and unexpected directions. It’s a social platform where connections are forged by music, pure and simple. SoundStorming users are fearlessly collaborating in new genres and contributing ideas that the original artist may have never envisioned. These asynchronous collaborations may be fleeting or they may develop into bigger projects, but everyone who participates—artists and listeners— gains inspiration and connection.

For young users like Boon Eason, finding inspiration in the serendipitous collision of ideas on a social platform feels right: “I’ve had some super interesting people collab on my songs, soul singers and blues guitar players, people I never would have thought I’d work with. It’s new things that spark creativity. I want to work with as many people as possible!” 

As for Boon, his new EP is already earning him attention from labels. The creative hothouse of SoundStorming collaboration means that artists are able to level up their work even without formal artist development. Just as SoundStorming allowed Boon to connect directly with a community of musicians, it has the potential for future fans and A&R reps to identify emerging talent based on their sounds. No more wading through lifestyle-focused social media platforms that were designed for photos, text, or video rather than the music itself. Creation, collaboration, and discovery all in one place: just what we need for the era of self-isolation.

On the Right Track: AIMS API Finds Similar Songs via AI Developed by Production Music Experts

Somewhere among those 100,000 tracks in your production music catalog is the right one for that TV, film, video, or game. Trouble is, you or your client have to find it. “It’s common for people to be surprised at what they have in their catalog,” says longtime production music professional Martin Nedvěd. “People can know a few thousand tracks at most, but never the entire catalog.”

The composers and production music experts at AIMS API set out to find tracks efficiently. They harnessed the power of machine learning to find the right music fast, using a reference track as a guide. And they did it from a perspective grounded in how the production music economy works.
“Production music has increased in quality in recent years to match and often surpass commercially released tracks,” explains Nedvěd. “Now, the biggest problem for music-for-picture professionals is how to find the right track in an endless supply of music when time is always of the essence. We think we have a solution.”

AIMS API was built to eliminate these challenges. It recommends and discovers great music options for these professionals in ways that surpass manual search by tags. It can detect similarity quickly at a massive scale and captures the high level of nuance required to serve music supervisors and other sync teams. Its algorithms were trained specifically for production music, focusing the company’s efforts on surfacing results that fit briefs.

Nedvěd knows the struggle firsthand, as he spent fifteen years running Studio Fontana, the biggest production music sub-publisher serving clients around Central Europe and managing sub-publishing deals with partners around the world. With AIMS business development lead Einar Helde, he founded an agency to collect neighboring rights royalties for production music performers and libraries in Europe. He’s also been running a production music catalog for nearly a decade. Nedvěd knows the challenges rights holders and music teams face, how the pace of production has skyrocketed while budgets shrink. Music supervisors and library owners need to do a lot more with less, and this “more” often involves digging up the right music fast from catalogs with millions of tracks.

The AIMS team saw a great opportunity lurking in the problem, one that machine learning could unlock. Yet it had to yield results that would serve the production music community’s existing needs. To do this, AIMS API doesn't simply suggest something similar based on simple audio characteristics like BPM. It hones in on the mood, that certain feel that makes a track work in a particular moment or scene.

“As we were evaluating the results, we were asking if a client sent us this as a reference track, would we send this result back in a playlist?” says Nedvěd. “It doesn’t have to be similar in the typical meaning of sounding alike. The right track can be a different genre or tempo, but it has to have the feeling, the use, the vibe.”

This foundation in the music for picture and sync ecosystem sets AIMS apart from other music tech companies attempting to build tools for production teams that identify, classify, or search for music using AI. “We initially built AIMS for ourselves, and we’ve been able to expand our customer base because our results work so well for people in the industry,” says Nedvěd. “We’re not looking just at surface similarities; we’re looking for what makes music work for the industries we serve.”

About AIMS API
AIMS is an API service that uses powerful AI to search for and recommend music within your catalog based on reference audio tracks. Designed and trained by music supervisors, composers, machine learning specialists, and production music experts, AIMS understands how music professionals search, be it for film, TV, games, or other sync uses. Its tools can be integrated seamlessly into websites and catalog management workflows. AIMS finds the right tracks, even ones you never suspected you had, offering new, better ways to use your catalog.

Do You Need to Have an Amazing Looking Website as a Musician?

This post was originally published on Music Entrepreneur HQ.

So, does your website need to look amazing?

In short, no, I don’t believe you need a great looking website to have a successful music career. Here’s why.

1. Content is King

It’s nice to have a decent looking site, but frankly content is far more important than design will ever be.

If you don’t believe me, then check your Google ranking. Sites with relevant, quality content are always higher in the search results than those that are (supposedly) designed well.

If you’re not regularly building content to attract new visitors to your site yet, your flashy design isn’t going to make much of a difference.

2. Interaction/Engagement is More Important

Connecting with your audience is one of the most important things in developing long-term sustainability for your music career.

It doesn’t matter if your website looks like a magazine in mass publication or a community newsletter. If you aren’t connecting with your fans, you’re doing something wrong.

Collect email addresses from people who visit your website, start a forum, let your fans comment on your blog posts and make sure you’re engaging your audience. Relationship is key.

3. RSS Feeds Negate the Need to Surf

The way people digest content on the internet continues to change.

There are only a few reasons (like commenting on posts or purchasing product) for people to visit your physical site, because RSS feeds and feed aggregators like Feedly have made it far more convenient for users to absorb new content.

The point is that if people aren’t coming to your website in the first place, there’s a good chance they could care less about your site’s design.

I enjoy scanning content with RSS feeds, because instead of visiting dozens of sites ever single day, I can have all of my updates delivered to one single location, using a feed aggregator.

I end up saving a lot of time, and I know immediately when there’s new content I have yet to read on my favorite blogs.

4. Your Website Doesn’t Replace YOU

If you’re a musician, you need to be playing gigs. I don’t care how you go about it. Go play in a bar, a coffeehouse, or a hardware store. Play for corporate functions, hotdog lunches, or your friend’s BBQ. Play in your basement and stream it to the Internet.

I don’t care how you’re doing it, but just make sure you are doing it. Your offline presence – in other words your live performance – will almost always hold more weight than your online presence.

This also goes for your day-to-day: attending parties, having lunch with friends, going to conventions, etc.

Bandsintown LIVE This Week: The net.werk Festival Unites Diverse Electronic Music Producers and DJs

Bandsintown LIVE celebrates artists and showcases talents all over the world, with more than 725,000 unique viewers having tuned into the free, intimate music programming on Bandsintown LIVE's Twitch channel since its launch 3 weeks ago. 

This Thursday, April 16, 14 boundary-pushing dance music producers and DJs celebrate the gender non-binary, queer, PoC, and female-identifying powerhouses of electronic music. net.werk, a play on the online-only but community-focused world artists are building for themselves amid the crisis, has been curated by DJ and producer Dani Deahl. Twitter is also streaming the event to expand its impact. All donations will go to MusiCares’ COVID relief fund to support music professionals and artists.

“We believe that intimacy of music live streaming is a new form of entertainment, but this unprecedented moment of opportunity has not helped all artists equally,” said Fabrice Sergent, Bandsintown’s Managing Partner. “Even in the virtual world,” net.werk artist UNiiQU3 tweeted recently, “y’all still book nothing but men.” Bandsintown and net.werk teamed up out of a desire to change this radically and immediately.

“We are in an online space where there’s the opportunity to make different choices, yet that hasn’t been happening,” Deahl explains. “So we decided to do something about it. Bandsintown was a natural choice for their ongoing effort to support artists. They immediately expressed support for our values and our vision. Having Twitter pledge support was unexpected and thrilling. It’s amazing to join forces with companies who are as excited as we are about creating space for underrepresented artists.”

Artists got on board, then worked together to make sure everyone had the gear and other tools they needed to participate. “The group effort is so indicative of how music folks have been coming together to help each other out in these times,” notes Deahl. “The whole thing came together in a week. We wanted to show a bang-up collection of artists that just *happened* to include women, artists of color, non-binary artists, queer artists, in other words, the artists who always put in a huge amount of work and emotional labor to get noticed. This day is a platform for them.”

net.werk on Bandsintown LIVE (Thursday, April 16)
Hosted by Cray
3:00pm ET / 12:00pm PT - Varien
3:50pm ET / 12:50pm PT -  Elephante
4:40pm ET / 1:40pm PT -  Mija
5:30pm ET / 2:30pm PT - Sophie (of Sofi Tukker)
6:20pm ET / 3:20pm PT - HANA
7:10pm ET / 4:10pm PT - Kandy
8:00pm ET / 5:00pm PT - UNiiQU3
8:50pm ET / 5:50pm PT - KITTENS
9:40pm ET / 6:40pm PT - WHIPPED CREAM
10:40pm ET/ 7:40pm PT - Dani Deahl
11:30pm ET / 8:30pm PT - Ducky
12:20am ET / 9:20pm PT - Krewella
1:10am ET / 10:10pm PT - COM3T (Dani Thorne)
2:00am ET / 11:00pm PT - adam&steve

New Artist Tuesdays
Tuesday brings a wide range of new, rising voices to Bandsintown LIVE, as the next edition of its New Artist Tuesday series. Bandsintown LIVE is part of the event discovery platform’s mission to lift up artists at every stage of their career and to empower shared, spontaneous music experiences, even in the age of social distancing.

New Artist Tuesday (April 14)
2pm ET / 11am PT - Christian French
3pm ET / 12 noon PT - PineappleCiti
4pm ET / 1pm  PT - Pigeon John
5pm ET / 2pm PT - MIREI
6pm ET / 3pm PT - BOYO

About Bandsintown:
Bandsintown celebrates artists and helps them grow their careers. As the most trusted source of live events recommendations, Bandsintown helps fans discover artists, their music and go more often to live events. With a reach of 160M Monthly Active fans globally, 55M registered concert goers and 530k touring artists registered to the platform, Bandsintown is a world-leading marketing solution for brands to engage with music enthusiasts at scale.

Visit the Bandsintown website at www.bandsintown.com/.

Wednesday, April 8, 2020

Bandsintown LIVE This Week: Ultra Records Mini-Festival and New Emerging Artist Weekly Feature

Bandsintown LIVE continues to bring engaging, compelling performances to devoted fans and new audiences alike, thanks to its Twitch livestreams.  Launched less than 3 weeks ago, more than 300,000 unique viewers have tuned into the free, intimate music programming on Bandsintown LIVE.

This week, the channel is launching a weekly Tuesday feature that spotlights amazing new artists bound to become fan favorites. Thursday brings Ultra Records, the powerhouse label behind some of electronic music’s strongest artists and events, into the mix for five sets exploring every flavor of house music with top producers from around the globe.

Bandsintown LIVE is part of the event discovery platform’s mission to lift up artists at every stage of their career and to empower shared, spontaneous music experiences, even in the age of social distancing.

New Artist Tuesday (April 7; debut edition)
2pm ET / 11am PT Salt Cathedral
3pm ET / 12 noon PT Joy Downer
4pm ET / 1pm  PT Myles Parrish
5pm ET / 2pm PT Riz La Vie

Bandsintown LIVE + Ultra Records (Thursday, April 9)
12pm ET / 9am PT - Benny Benassi
1pm ET / 10am PT - Panteros666
2pm ET / 11am PT - Deorro
3pm ET / 12 noon PT - Icona Pop
4pm ET / 1pm ET - MK

About Bandsintown:
Bandsintown celebrates artists and helps them grow their careers. As the most trusted source of live events recommendations, Bandsintown helps fans discover artists, their music and go more often to live events. With a reach of 160M Monthly Active fans globally, 55M registered concert goers and 530k touring artists registered to the platform, Bandsintown is a world-leading marketing solution for brands to engage with music enthusiasts at scale.

Visit the Bandsintown website at www.bandsintown.com/.

A Billion New Fans: Soundrop Expands Distribution to New Music Services in China, Russia

On April 6, Soundrop will start distributing all of its artists’ active catalog to several major music services in key new markets, expanding their potential audience by more than a billion listeners. 

Soundrop’s new distribution partners include NetEase, TenCent’s music platforms (QQ Music, Kuguo, and Kuwo), Xiami, Yandex, and UMA (including mail.ru’s mobile music app). Many of these services are the market leaders in their countries and in the case of Xiami, regularly reach more users than the total population of the US. 

“With the addition of top music platforms in China and Russia, we continue to add value for our artists as fast as we can. With touring and many ‘day jobs’ paused indefinitely, independent musicians need to find every possible revenue stream, so the Soundrop community is super stoked to be accessing something like a billion new listeners in these territories,” explains Pony, Soundrop’s brand manager. “I think that the type of content we distribute, which includes lots of great cover songs of music from anime, video games, movies and other pop culture sources, is going resonate strongly and generate new fan communities in those countries.”

To reach these new potential fans, Soundrop users simply need to enable Auto Distro to ensure distribution. For more information about Soundrop’s risk-free distribution approach and artist-friendly features (including integrated cover song licensing), see soundrop.com

About Soundrop

Soundrop is a distribution platform tailored to the YouTube-generation artist. Offering quick and affordable distribution to top digital outlets, integrated cover song licensing, and automatic royalty splits between collaborators, Soundrop is the distribution solution for the serial content creator and collaborator. Soundrop is a division of AVL Digital, which is owned by Downtown Music Holdings.

Hercules’ DJUCED® DJ Software Now Features Beatport Compatibility

Launched in 2011, DJUCED® has become a major player in the world of DJ software, with over 650,000 licensed users worldwide and a multitude of cutting-edge features offering its users a wide range of mixing possibilities. Today, the DJUCED® team is thrilled to announce the launch of Version 5 of the software included with all Hercules DJ controllers.
Available today, DJUCED® ‘s latest update introduces significant improvements, including an integration of Beatport LINK. DJUCED® has proudly partnered with Beatport to offer their users a complete source of electronic music with the possibility to download or stream tracks from Beatport LINK.
THE PERFECT MIX WITH BEATPORT LINK AND DJUCED® INTELLIGENT MUSIC ASSISTANT
Beatport LINK allows DJs to stream Beatport’s catalog of over nine million tracks directly into DJ performance software. The streaming service is designed to complement the core digital download store of Beatport and provide an additional revenue source for labels, artists, and suppliers.
DJUCED® assists music aficionados along every stage of their DJing journey – from taking their first steps to start and learn, to performing for the first time for a crowd. Via Beatport LINK, DJUCED® DJs now have access to a powerful collection of nearly unlimited music to mix in DJUCED®. For the first time, laptop DJs can take 50 (with Beatport LINK PRO) or 100 (with Beatport LINK PRO+) tracks offline in DJUCED®, via Beatport LINK’s proprietary digital locker technology. These tracks can then be played at a public venue without the need for an Internet connection.
Thanks to its innovative Intelligent Music Assistant (IMA), DJUCED® can suggest the best-fit next tracks to help DJs put together creative mixes every single time. This unique feature developed by the DJUCED team also works with Beatport LINK, meaning DJUCED® can suggest a track from the current playlist that would be a good fit to play next. It’s an easy way to build a strong, coherent and harmonic DJ Set even as the DJ switches between genres.
Subscribers can preview and mix full-length tracks before purchasing the standout tracks for their download collections. In the next leap forward, the DJUCED® 5 integration introduces a groundbreaking club-ready feature as part of the new Beatport LINK PRO ($39.99 USD/month) and Beatport LINK PRO+ ($59.99 USD/month) subscription tiers. Additionally, the streaming audio quality will be higher than that of 320kbps MP3 files.
Both Beatport LINK PRO and Beatport LINK PRO+ are available with a 30 day free trial, and instructions on how to use Beatport LINK in DJUCED can be found here.

In addition to the Beatport LINK integration, the new version of DJUCED® presents several beginner features to help DJs gain confidence as they learn, and professional features to assist all aspiring DJs in performance.

- Faster track preparation
DJUCED has added a “Prepare” mode to provide a more convenient way to analyze, correct a beat-grid or edit cue points.
- Club-style effects now available for everyone
Possible and easy for anyone to mix like the biggest DJs in the world, DJUCED now provides more than 15 FX filters for an authentic club feeling.
- A multi-core analysis to gain time
The implementation of “Multi-core” track analysis allows users to explore various tracks at the same time.
- A visual guide for downloading and loading tracks
DJUCED has developed a new system for loading and analyzing tracks with different statuses in the browser and in the jog wheel.
- A new SLIP mode waveform animation
To make the SLIP function easier to understand, DJUCED Waveform now splits into two pieces when the SLIP function is active.
Users can go to Djuced.com for full details of the 5.0 version and can get the update for free.

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